― Robert Louis Stevenson
My daughter bought me tickets to the theatre for my birthday. It
was a busy week so I didn’t have time to sit down and research the play before
the show date, but I had heard it was getting great reviews. “Seeds” is an
original play by Annabel Soutar of Montreal .
When we sat down at the NAC and I opened the program I was thrilled to see that
Eric Peterson of “Corner Gas” was the lead. And as the play began, I realized I
was familiar with the story.
“Seeds” was developed out of a series of interviews with key
players in the Monsanto vs. Schmeiser drama. Soutar was fascinated with the
story of the Saskatchewan
canola farmer sued by the biotechnology giant Monsanto. The company claimed
Schmeiser ‘stole’ their genetically modified seed, which is resistant to the
pesticide “Roundup” and allows farmers to spray entire fields, killing all
weeds and leaving healthy canola plants behind.
They said tests of his crop showed over 60% GM canola, so he likely
purchased it from a licensed neighbour and cultivated it in his own fields illegally.
Schmeiser claims that first crop in 1997 blew in off a passing truck and
planted itself.
In 1998, realizing what he had, Schmeiser kept and replanted the
super-seed. Monsanto claimed the old farmer had broken patent law. Schmeiser
said his field was forever contaminated by the genetically modified seed, and
he was just going about his business, exercising his rights as a farmer to
replant his own seeds.
The play was built upon a series of interviews with key players in
the courtroom and canola field drama. Eric Peterson does a fantastic job in the
role of Schmeiser, the canola farmer and member of municipal council in the
small town of Bruno , Saskatchewan .
The legal debate, of course, is about far more than the presence
in Schmeiser’s fields of genetically-modified seeds containing a patented,
pesticide-resistant gene. The case asks the question, where do you draw the
line? If the gene is patented, fine, but it’s in the seed. And the seed produces
a plant. And by the way, the seeds are pretty hardy and able to grow without a
lot of human intervention. It’s quite plausible that they would take root and
germinate on their own if spilled onto fertile ground.
Schmeiser stood up for the rights of farmers to cultivate their
land and everything that grows on it. And with that course, he sparked the
debate about genetically modified organism (GMO) food. Turns out it may not be
all that good for us. That is a touchy subject, to be sure. If you ask a farmer
who makes his livelihood on GM crops, he isn’t going to be very receptive to
your opinion. But the point is technology can be dangerous if it is allowed to
proceed without testing and preparation for “unintended consequences”.
Where do we draw the line between stronger, disease-resistant
crops and our own health? What about the steroids and antibiotics that we put
into feed for beef and chicken? They may help farmers to grow bigger, better
animals but when we ingest the additives somewhere down the food chain, how do
they affect us? Is our desire to scientifically alter our food so that it grows
bigger, produces more and lasts longer, linked to the increasing prevalence of
cancer, autism, Alzheimer’s and other health issues? I’m not saying it is. I’m
just saying, to use an old farming term, it sounds to me like we’ve put the
cart before the horse. Biotechnology is awesome. Scientists have made such
advancements in food production that we may be able to one day eradicate world
hunger. But at what cost? Is it too much to ask that our science must also be
socially responsible?
As in the case of many documentary films and pieces of
investigative journalism, “Seeds” asks the hard questions. Because we don’t
want to become a victim of our own unintended consequences.
Email: dianafisher1@gmail.com